Battista Franco, Dawn, c. 1536, etching and engraving

Battista Franco, Dawn, c. 1536, etching and engraving

Books


Bernini’s Michelangelo. New Haven: Yale University Press, 2020.
Material Bernini, co-edited with Evonne Levy. London: Routledge, 2016.

Articles


Guercino (Giovanni Francesco Barbieri), The Burial of St. Petronilla, 1623, Capitoline Pinacoteca, Rome “Guercino’s Saint Petronilla: Saintly Body, Michelangelo, and New St. Peters,” co-authored with Jonathan Unglaub (Brandeis University) Art History 45.1 (2022): 66-101.
Bernardo Buontalenti, Grotta Grande with (copies) of Michelangelo's Prisoners, 1582-93, Boboli Gardens, Florence “Generation and Ruination in the Display of Michelangelo’s Non-finito,” in Purity and Contamination in Early Modern Art and Architecture, eds. Lauren Anne Jacobi and Daniel Zolli (Amsterdam: Amsterdam University Press, May 2021), 63-92. 
Giovanni Battista Montano, title page to the “Vernacular Vignola,” Art in Translation 10, 1 (2018): 30-54. 
Gianlorenzo Bernini, Bust of Pope Urban VIII, detail, c. 1658, partly gilt bronze, private collection, Florence “Bernini scultore pittoresco,” in Material Bernini, eds. Evonne Levy and Carolina Mangone (London: Routledge, 2016), 69-104. 
Gianlorenzo Bernini, Aeneas, Anchises and Ascanius, 1618-19, Galleria Borghese, Rome “Like Father, Like Son: Gianlorenzo Bernini’s Filial Imitation of Michelangelo,” in Theorizing Imitation in the Visual Arts: Global Contexts, ed. Paul Duro (Chichester: Wiley-Blackwell, 2015), 69-89.[*A reissue in book form of: “Like Father, Like Son: Gianlorenzo Bernini’s Filial Imitation of Michelangelo,” Art History 37.4 (2014): 666-87.]  

Exhibition Catalogues


Select catalogue entries in The McCrindle Gift: A Distinguished Collection of Drawings  and Watercolors, eds. Margaret Grasselli and Arthur K. Wheelock (Washington: National Gallery of Art, 2012). CAT. 4: Northern Italian School, Late 16th Century, Salome with the Head of St. John the BaptistCAT. 11: Jacopo Palma il Giovane, Madonna and Child in Glory with Sts. John the Baptist, Stephen and LawrenceCAT. 12: Italian School, 17th Century, River GodCAT. 24: Giuseppe Passeri, Aurora’s Tryst with Time Interrupted

Book and Exhibition Reviews 


Review of exhibition and catalogue, Bernini: Sculpting in Clay, eds. Ian Wardropper et al. (New Haven: Yale University Press, 2012), in Sculpture Journal 22 (2014): 143-5. 
Review of anthology, Inganno – The Art of Deception: Imitation, Reception and Deceit in Early Modern Art, ed. Sharon Gregory and Sally Anne Hickson (Ashgate, 2012), in Renaissance and Reformation 36 (2013): 166-9. 
Review of exhibition and catalogue, Bernini and the Birth of the Baroque Portrait, eds. Andrea Bacchi et al. (Los Angeles: J.P. Getty Museum, 2008) for CAA Online Reviews.
Review of exhibition and catalogue, Bernini Pittore, ed. Tomaso Montanari, Palazzo Barberini, Rome (Milan: Silvana, 2007) for CAA Online Reviews.